Rooms Stephany and captured in the 37

and captured in the 37 posters of this book provide details on collaborative processes that assure the is-possible

à la fois divertissant et perturbant

Des questions sont soulevées sur la valeur d'un objet et sur la façon dont cette valeur change avec le temps

pour plonger la tête la première dans la Big Pool

Rooms Stephany and captured in the 37Rooms began in 2017 when Greta started photographing her friends, acquaintances, and strangers lying nude in their bedrooms. The portraits, shot at close encounter, radiate the warmth of presence and mutual recognition. In some photographs the women look unselfconsciously elsewhere, their eyes drawn out of frame in some distant reverie. The hot presence of a mind and her body remains, still floating, in Gretas images of beds unoccupied. There is an